Resemblances

I strongly resemble my mother. In school, people always knew if she showed up there, and the news would reach me: “Your mother’s here. She was in the hall heading to the office.” What? How did they know? “You look exactly like her.”

I want to tell you what my father looked like. You can’t really see him by looking at me. He had curly hair, which was brown, a regular brown and not dark like mine was back while he was alive. When he was in the sun, there was almost a red hint. Whenever he grew a moustache and beard, red would show up along with the brown. Dad’s eyes were blue. Sometimes they appeared greenish, or grey. We girls used to tell Dad that they changed depending on what color shirt he wore. That he had “mood eyes.” On the last day I saw him alive, his left eye was such a brilliant blue, I was startled. I felt guilty, too, for softly pulling up his eyelid to peek beneath it while he was so deeply asleep. I didn’t see a color that blue until nearly 20 years later, when I visited the Bahamas. The water was impossibly blue, like Dad’s eye.

My father had a receding hairline, hairy chest and arms, and hair in his belly button. On Saturday visits with him, he’d sometimes nap on the murphy bed in his apartment while we girls watched TV beside him. While he was asleep, we’d roll up his pantlegs and roll down his socks, giggling at his hairy white legs. Then we’d peek into his bellybutton for lint. He’d snore slightly, until our fussing over him woke him up. Lying down, Dad’s ribcage seemed large. His voice rumbled up out of his chest when he spoke. He was a man of average height, not heavyset, with good posture, and when he needed to command attention, he could. He could have been a police officer, but he wasn’t. He worked in the public schools and liked people. They liked him, and his voice. Usually when he conversed with others, they shared a chuckle before parting ways.

Dad was fair, as a British descendant, and his skin was sensitive to anything harsh. When he worked at a deli counter for a summer, wrapping meat in paper and string, trying to break the string cut his hands. He was the only one who had to reach for the scissors. I remember the time he got burned from a grease fire on the stove. When he moved the pan into the sink, flames wafted over the back of his wrist and gave him 3rd-degree burns. I’d just had first-aid training in 6th grade at school, and I forced him to let me examine his hand. The skin was red, and purple, and blue, with an open wound. Dad had wrapped it himself, and I insisted that we take him to a doctor. Dad’s teeth were slightly crooked and the top canines were pointed. We liked it when he bared them a little, and called him a vampire.

I don’t look like my father. My hair was dark, like my mother’s, before it went salt-and-pepper. My eyes are so dark a brown as to be nearly black. My coloring is not as pale as his, though lighter than if I weren’t sensitive to the sun, so perhaps I inherited something of my father’s sensitive skin. Here – where I mostly take after Dad is in my hands. I’m left-handed like he was, and my palms are somewhat square like his. The tips of my fingers aren’t elegantly oval like my mother’s but spatulate, like Dad’s. On a sidewalk in a suburb of Michigan, there are four handprints pressed lightly into the cement: Dad’s, Mom’s, my older sister’s, and mine. The mark nearby is from my younger sister’s shoe when she twisted away, afraid to let Mom put her hand into the wet cement beside ours. 25 years after Dad died, I placed my hand in the print Dad had left. His hand appeared only slightly larger than mine, surprisingly. When I remember holding his hand, warm and slightly moist, it always seemed much bigger. Oh – my thumbs are his. Just after he died, I was reading a book. I noticed my hands holding the pages open, noticed my right thumb. I cried.

On the day the world ends

On the day my father died,
I thought the world should end.
It was late August, more summer to come,
but I wanted the bleakness of cold.
In the afternoon I watched a scatter of small birds
whirl in the sky above my head
and I thought I should dissolve
into tiny specks like they did.

On the day the world does end,
perhaps there will be no death.
Perhaps there will only be dissolution,
whether of the chair where I sit
or the walls around me, or forests of trees,
like a reverse Fall.

Maybe I won’t be sure whether all is ending
just for me, or for every living thing.
On that day, it may happen so slowly
that there’s not even a sense of alarm.
Some believe in specific signs,
events that were foretold for centuries,
foretold for the comfort or guidance of human souls.
I never embraced those symbols.
I don’t know what the end of the world
really means. Will there be
no more suitable air to breathe?
Will the sun go silent and the mouths of the birds 
go dark?

My friend wanted to die
with curiosity in his eyes.
I don’t think it turned out that way.
But I’m curious about the way the world could end.

And yet, I don’t think I want to know.
The gut punch of shock, disappointment, disbelief
that’s hit me before
must be nothing to the loss
of all we recognize. Or will we
gain it all, becoming one with
the One? Perhaps that will feel the same,
leaving us gasping, if we can breathe,
screaming, if we have throat and ears. 
Even if it’s great joy,

I don’t think I want to know.

Tell me about love.

Love was a marshmallow I begged for at age three. The perfect white didn’t turn out the way I expected. Once it was on my tongue it changed from pillowy to mush. I wanted to spit it out. I was warned not to, to give it a chance. I jumped down from my chair and ran to hide, to find someplace to get rid of this strangely melting mouthful. Just at that moment I realized I could taste sweetness. The flavor made me happy.

Love was two Nancy Drew books, yellow and blue, the fresh pages smelling of ink and mysteries. Love was a way to become more than I was before, expanded, mesmerized.

Love was red yarn glued to a sheet of white cardboard, in the shape of a heart, and the words Happy 13, the yarn stiff with the dried glue and the shifting freehand letters my sister created.

Love was a small handful of Dahlias, stems wrapped in tinfoil, carried to school on a spring day. It was a watercolor painting of that bouquet.

Love tasted like getting kissed the moment I stepped off of the Greyhound bus. It sounded like two guitars and the voices of strangers, smiling behind the figure of my beloved.

Love was a black eye from my sister’s head when the toboggan hit a bump halfway down the hill. Neither of us knew what had happened, until the swelling, and the question, “Did she hit you?” Punched in the eye by my sister’s skull in a knitted red cap. Laughing, rolling, tumbling in cold snow.

Finding myself

I am 60. Have I found myself yet? My parents used to tell us that we children were found under a cabbage leaf as babies, before Mom was ready to sit us down with the Encyclopedia Britannica volume that showed the nude on one half and the other without flesh. Or they’d say we were found in a shoebox.

When I gardened, I never came upon myself beneath the leaves of lettuce or rhubarb. Not under a leaf in the grapevines that hid small green orbs that looked made of wax, and tasted so sour before they were ripe.

I’ve not stumbled upon myself in an old shoebox tucked back into the shadowy corner of a closet. I’ve looked plenty of other places, too, just to be thorough: not in the breadbox or the drawer beneath the oven with the pots and pans. Not in the garage with the odor of gasoline and the hot motor of the lawn mower after a turn around the yard. I haven’t found myself in the hollow of a guitar or along the silvery tube of a flute. I looked for myself in the packages that arrived each month by mail, first with a kit for making a new craft, and later an LP or cassette tape from Capitol Records or recordings of The Academy of St Martin in the Fields that taught me to love Classical music.

Perhaps I find myself inside of notebooks, tucked between leaves of paper. Perhaps it isn’t the 3-dimensional me, but a flat, paper-doll-type approximation of who I am. The closest representation of how I appear most of the time. I take up a pen and tentatively make a mark on the paper image. I might feel self-loathing today and add a mustache, a small dark rectangle like Hitler or Groucho Marx. I might try to draw clothing that feels like myself, a black leotard, a red pashmina wrap.

Finding myself might be the greatest gift of my life, but I suspect that there’s a fear it will be a disappointment, a map of how far I have yet to journey before I am in the neighborhood of my true self. Perhaps that fear makes me set myself aside in a shoebox for now, in a shadowed corner.

What are you waiting for?

For a while now, I’ve been on a minimizing kick. My lifelong tendency as been to keep everything, save everything, to make it last. Perhaps it was because my father only earned $15,,000 a year, or because of the recession in the 1970s, but something made the impression on me that I had to conserve for the future. So as I reduce my clutter these days, I’m likely to find a notebook with still-blank pages, from when I was in high school. I mean, pre-1981! Paper from 1980 has turned yellowish, and it has a smell, some sort of old-but-not-musty odor, probably from the acid in the fiber. When I find something like this, something I never completely used up, I wonder, “What have I been waiting for?” Of course I’ve needed notebooks and I’ve used paper in the past 40 years. But this particular spiral-bound notebook, I have held back. Incidentally, the cover has a woodblock image of trees, signifying that it was somehow made with less paper pulp, therefore fewer trees, than before.

My 60th birthday is not far ahead. Recently, I notice, there are a lot more things I question, in terms of time. Projects I’ve planned to do but haven’t, for years. What am I waiting for? Family heirlooms, with no descendants to whom I might leave them. I will want my sister to have them, for her grandchildren. Why keep them with me, since I don’t have a use for them? Can’t I just give the things to her, or my nieces, now, as I minimize? What am I waiting for? I’ve been culling books, aiming for at least a one-in, one-out balance. Some books I’ve had on the shelf for 20 years, but still haven’t read. What am I waiting for? It’s possible that I have books enough to keep me reading for 20 years out. What am I waiting for?

Really, although I will enter a new decade, I didn’t expect time to come up as an issue like this. I’ve never cared before about age. I was fine with turning thirty, somehow ecstatic at reaching 40, and the 50s have been fine. I don’t know why looking at 60 strikes me with this growing urgency, but it does. Each day brings more awareness of the time that is behind me now, and the truth is, I don’t know how much is still ahead of me. But something in me asks:

What are you waiting for?

The necessary building of unnecessary stairs

My father is rebuilding the wooden steps leading to the front door. A tree branch fell in yesterday’s storm, and splintered the original stairs to bits. I’ve watched Dad build with wood before. He can knock together small projects easily. There have been other, larger ones, too, which I have never seen. At the high school downtown, Dad has directed students in constructing stage sets for the theater department’s plays. It’s a part of his life I don’t know. I’ve never seen a production there, nor will I even see a photograph of his work, until I’m an adult, and he is long dead.

I want to watch Dad as he kneels to his work on the front steps, but this day he seems not to welcome it. It isn’t so much his brusque tone, as the tension in his shoulders and arms as he moves. He drops the small bundle of unpainted boards onto the cement apron, and the hollow clatter feels like a dismissal. I will not see Dad wield a hammer and nails again, but I remember the sound of metal hitting metal as he proceeds, an angry sound.

The splintered steps are necessary. Mom has warned us girls against going through the front door until Dad tells us it is safe. The fall from the stoop to the cement apron isn’t far, except for the legs of a 7-year-old-child. Something about not having front steps feels like an emergency. We have the back door and its postage stamp of porch, but from the gravel street in front of our house, the missing porch steps are alarming, like the sight of a broken-out front tooth. An unacceptable gap that is something to hide. When I lose a front tooth just before school picture day, Mom tells me sternly that I am not to smile with my lips parted when the photographer asks me to say, “cheese.”

Dad has to build the steps because there is no one else to do it, because hiring somebody costs money, because he is the one who is supposed to fix things. Usually, Mom is the one to point out what my father is to fix. Either Dad doesn’t notice the problem, or he is willing to tolerate the broken or imperfect much longer than my mother can live with it. Dad can solder, tack down a loose shingle, saw, and hammer, and glue. He can put things together. But he’s not built for labor, with his sensitive hands, fragile skin, and history of enlarged heart. I have rarely seen him run, never hit a baseball, nor do lifts on a chin-up bar. I remember the hand grip strengtheners in his first apartment after the divorce, and the chest expander with rows of resistance springs connecting two handles. I remember my sister and I seated on the toboggan, crying out for Dad to pull us and run! and the wheezing way his voice came back to us, “I am running!”

My father has to rebuild these steps, even though, as it turns out, he won’t need to use them for much longer. One thing that is unusual about the broken porch is that neither Mom nor Dad was the one to point it out. It was my sisters and me who, where we were in the living room near the front door, heard the crash of the tree branch just after the boom of thunder. I remember the rattle of the screen door when the branch struck it on the way down. We ran to the windows to see what was trying to break in. Wet black bark and leaves loomed, reaching. It looked like an entire tree had fallen across the front door. But Mom and Dad didn’t hear it, or our shrieks of surprise. It was a shock to go into the kitchen and see only the looks of annoyance on their faces. That was the first time I recall my parents in deep discussion, apparent serious talk that seemed to shut out all other things. Talk that was more important than the house falling down. Perhaps that was a lead-up to Dad’s leaving. I didn’t think of it as a clue, when I looked back on it later. There had been plenty of others: tiny quarrels which Dad lost quickly, issues about money, issues about providing better, issues about seeing what things Mom saw were wrong. The deep talk in the kitchen that day was secondary to the chaos at the front door.

I didn’t see Dad’s cross undertaking of rebuilding a set of steps he wouldn’t use as a sign of the change to come, either. He finished them, cut up the wayward branch, cleared things away in his usual manner. When he moved out of the house, I was as blindsided as my parents had been by lightning hitting the tree and bringing a branch down onto the steps, just missing the house. An impact concealed beneath ongoing thunder.

If ever the dead

If ever the dead were to be recalled/ it would be in [a] voice flung confident/ into the raving light.

“The Silence,” from Cardinals in the Ice Age, by John Engels

At the hospital, a member of the staff came swiftly into the room to check Dad’s unconsciousness. She touched him, looked into his eyes, and called out in lifted voice,  “Robert! Robert!”

My heart clenched. That was the name of his dead brother. 

I didn’t fear Robert would be recalled to life, still aged twenty after four decades of death. But I could imagine my uncle’s spirit, matured and paternal, surfacing through the years and distance from the mountains of Korea. He would appear in the far corner of the hospital room, first with a blank expression, wondering who had called his name with such command. Then in the next moment he would go to the foot of Dad’s bed. With great and wise tenderness he would gaze at his brother’s face, catching up with the changes. Robert would size up the situation and move toward the sleeping form. With surprising strength, he would lift Dad decisively, making him ten years old again before my eyes.

Then, without one look toward me, Robert would bear my father away. 

I am one of those people who…

I am one of those people who still remembers how I felt in 1970, walking up the hill from the corner of Pomona and Lennane, past the house where the German Shepherd, Flicka, nipped my fingers when I wrapped them around the wire of her kennel run. I can smell the wet grass and what I imagined was the odor of long pink and purple bodies of earthworms drowned on the sidewalks. The sound of rain pattering on my plastic umbrella. The darkened bark where it was wet on the trees.

I am one of those people who thinks it is important, if I still remember it. Or, if not important, it is somehow useful. Once in a while I will bring up one of these memories to my sisters, so we can feel the chilly moist spring air coming up from Lola Valley Park together. And they will usually travel back with me. Do C and V carry the pale gravel road in weak summer sun with them as I do? Is the sound of the crickets and cicadas a meaningful buzz in their heads as often as it is in mine?

Some people don’t care to remember, and I am not one of those kinds of people. 

“I would never want to go back. I wasn’t very happy there.”

Yes, we were all unhappy in our own ways on that street overlooking the park. In one sense or another we were prevented from being ourselves. Our parents didn’t know any better.

But what I remember is hanging sheets on the clothesline in your yard, having memorized my lines and practiced the song we made up for Earth Day, and the excitement of knowing that when we emerged from behind the white-and-flowered curtain we were some other children, for a little while anyway, and not even children but performers come to these parts to entertain and enlighten. I just wanted to sing. Who cares that we only charged a nickel, and even without a nickel, anyone could come and watch?

I remember sitting in the back yard singing, “Little Tom Tinker Sat On a Clinker,” louder and louder, our voices goading each other on, bouncing from the side of Danny N’s garage and then from the side of Danny O’s garage, and back again. We sang faster and faster and faster, mixing up the words and laughing, until the one Danny’s grandmother – who only spoke Canadian French – appeared at the back screened door in a frilly white robe, frightened because she thought someone was hurt and crying. And her Danny tried to tell her we were only singing, only having fun. 

Would you trade that for anything?

I remember reading Ray Bradbury’s book about writing, in which he said that the place where he grew up was not an important one, except in the sense that he was born there. Bradbury took those autumn days and nights of darkness and made his stories out of them. No one but he could have written those books, and it was because he still remembered what he felt like back there and then. He was one of those people who didn’t throw away the way he responded to the world he found himself in, though I’m sure he wasn’t happy there all of the time.

Was any of it important?

What I really want to say is that all of this makes me hope anyone who has chosen to forget the spring rain because the dead earthworms made them feel queasy might look instead at the new blossoms coming up on the Chestnuts’ cherry tree.

Imagine a woman

Imagine a woman

begins to read her own life

from the beginning, and finds

that much is missing, not to be replaced.

Imagine she turns pages over,

looking for the mother, the father

who would nurture and nourish

the infant the woman had been.

Imagine the woman does not turn

away from her story, but reads on,

and when she cries, imagine

the way she holds herself

in her own arms

gently.

Imagine a woman with a book

of her own life

that has no appendix, no code

to connect this wound

to that scar, that soreness

to this ease. And the woman

does not stop reading.

She places a finger lightly on each black shape

along the line, determined to feel

the hardest angle, the sharpest

point at each sentence’s end.

Imagine the woman presses harder,

then looks at her fingertips

imprinted with every true word.

Imagine the woman takes the book

in both hands,

sets it firmly aside, then

taking ink and pen in hand,

she opens a fresh notebook,

and imagines a woman

who knows what words

are needed to make the first book

into a song.

Book delivery

What would I want delivered to my doorstep every morning, like the newspaper or milk? Books.

Let’s suppose these books are selected specially for me, but they are a surprise. I won’t know what books to expect, so it will be like a visit to the best bookshops, where I never know what treasure I will encounter. The only guarantee is that I will be enchanted, immediately engrossed, or filled with joy at what I will learn once I open the book’s cover.

The books will be both old and new. The new books will have colorful book jackets, like a Natalie Goldberg painting. Or understated images. The books that are old will be beautifully embossed with delicate art and elegant lettering. The old ones will never be musty, but perhaps fragranced with incense.

The book delivery will include some good, classic fiction. And poignant memoir, like Diary of Anne Frank. And travelogues, and the best instruction in the arts – visual , musical – and yoga, ballet, and cooking. Food. Histories of domestic life, like Lark Rise to Candleford, and children’s books like The Wind in the Willows, and Peter Rabbit. Poetry – free verse, haiku, lyric. And in all languages.

As a child I used to wonder why “Publisher’s Clearinghouse” had a monetary prize, and not publications: books. What a disappointment to learn that there are no “books every week for the rest of your life!” Of course, one could buy books with the money, but that would take away the element of surprise.

No, better to have a caravan stop quietly each morning at my door, and drop off a beautifully wrapped bundle of books tied with colorful silk string. I would pick it up from the porch with reverence, with the quiet joy of one who welcomes a dear, dear friend inside.